Intro to Theatre Midterm questions | Online Assignment Help

1 The Greek philospher Aristotle pointed out that a tragedy needed to observe three unities:

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  • protagonist, antagonist, agon (argument)
  • conflict, enactment, and financial gain
  • time, place, and action

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2 The performance contract:

  • is unspoken
  • is destroyed by pretense
  • cannot be broken by either party

3 Conflict is:

  • heightened interaction
  • never present in character to character interactions
  • never internal

4 The following are aspects of actor-audience interaction:

  • whether or not the actors like each other offstage
  • reviews online by a theatre critic
  • the social prestige of attending an opening night performance

5 Films and theatre are different in that films do not:

  • have character-character interactions
  • have actor-actor interactions
  • have immediate actor-audience interaction

6 The major characteristic of a proscenium theatre is:

  • clear separation of the space between actors and audience on either side of a “fourth wall”
  • audience surrounding three sides of the performance space
  • the orientation of all audience seats around the stage

7 Directors may encourage spontaneity in a scene through:

  • encouraging talks and lectures
  • asking the playwright to rewrite a scene
  • improvisations

8 If the audience responds enthusiastically to a play which the critic believes is of very poor quality, s/he should:

  • blast the audience
  • stand by his or her opinions, but note that others did like the play correct
  • rethink his or her responses and possibly change them

9 The use of the suffix -wright suggests that the playwright should be:

  • someone who writes plays
  • a crafter or builder of plays
  • always correct

10 Stage directions are always given:

  • from the point of view of a director watching the play from the audience
  • from the point of view of an actor standing on stage and facing the audience
  • from the point of view of an actor standing on stage facing away from the audience

11 The overall function of the critic is:

  • to make the audience more critical of what they see in the theatre
  • to improve playwriting
  • to enrich the theatre experience for the audience

12 Empathy is important in audience response because:

  • the purgation of pity and terror is an important goal of comedy
  • the capacity to identify with other people is required in many plays
  • only empathy can force the “unwilling suspension of disbelief”

13 The influence of the audience is felt in multiple ways in the theatre:

  • indirectly as the production company anticipates their reaction
  • both answers are correct
  • directly during the performance of the play

14 A playwright may begin by trying to understand and describe the characters that s/he will create and use. A typical way of beginning work on character is to:

  • search for good names online
  • use only members of one’s own family
  • create profiles on each one as if the playwright were a detective searching for a missing person

15 A tetralogy is:

  • a tragedy, a comedy, and a satyr play
  • a trilogy and a satyr play
  • an outdoor theatre festival

16 Because theatre is such a social art:

  • tickets must be provided when audience members have forgotten theirs
  • audience crowding is to be avoided at all costs
  • the seating density of an audience is important

17 The costume designer has the power to communicate character through:

  • individual touches like wear patterns and accessories
  • both answers are correct
  • choice of color and fabric

18 The lighting designer uses gels to create a range of colors to achieve one of her/his primary goals of:

  • mood
  • focus
  • intensity

19 The Festival of Dionysus awarded the best playwright with:

  • a gold trophy
  • a feast in his honor
  • a goat

20 Actor-actor interaction is similar to actor-audience interaction in that:

  • both need a script
  • both participants must pretend to believe
  • both depend upon the inspired soul of the actor

21 It is important for audiences to be demonstrative because:

  • appropriate audience response is an expected part of the actor-actor interaction
  • feedback is essential for the actor-audience interaction
  • disruptive behavior gives the actors more of a challenge

22 Identify the character who says:

  • Listen to me. You mock my blindness, do you?
  • But I say that you, with both your eyes, are blind.
  • Creon
  • Teiresias
  • Oedipus

23 Which of the following was NOT one of Stanislavski’s five questions?

  • Who am I?
  • What do I want?
  • Who is my most important relationship?

24 Identify the character who says:

  • I pitied the baby, my King,
  • And I thought that this man would take him far away
  • To his own country.
  • Shepherd
  • Creon
  • Teiresias

25 Identify the character who says:

  • The full horror of what happened you can not know.
  • For you did not see it; but I, who did, will tell you
  • As clearly as I can how she met her death.
  • Iocaste
  • Second Messenger
  • Oedipus

26 Stanislavsky developed a technique to connect actors to the emotional life of their characters.

  • True
  • False

27 Empathy is the unfortunate condition of some people who cannot relate to the feelings of others.

  • True
  • False

28 One major function of the director is to stand in for the audience in rehearsal.

  • True
  • False

29 “Blocking” occurs when one actor stands in front of another, obstructing the audience’s view.

  • True
  • False

30 A scenic designer creates the environment(s) of a play and shares his/her ideas with the director using elevations, ground plans, and scale models.

  • True
  • False

31 The “willing suspension of disbelief” refers to the readiness of the audience to suspend its usually skeptical attitude.

  • True
  • False

32 Retrospective exposition is a way of letting the audience know what has happened in the backstory before the point of attack.

  • True
  • False

33 An actor cannot be expected to communicate with his or her body.

  • True
  • False

34 The crucial element which films do not have in common with theatre is the performance contract.

  • True
  • False

35 A representational play openly acknowledges the presence of the audience.

  • True
  • False

36 An element of a theatre experience which appeals to many people is the absolute predictability of the experience.

  • True
  • False

37 Only the rich male Athenian citizens attended the plays at the Festival of Dionysus.

  • True
  • False

38 Stanislavski dismissed the idea of inspiration.

  • True
  • False

39 Scripts are essential for theatre.

  • True
  • False

40 Jerzy Grotowski wrote Towards a Poor Theatre.

  • True
  • False

41 Apparently hidden action may be detected in the subtext.

  • True
  • False

42 It is unusual nowadays for a professional playwright to be a full-time member of a production company.

  • True
  • False

43 Stichomythia are highly emotional speeches by the protagonist dealing with inner conflict or torment.

  • True
  • False

44 Thespis is considered the first actor as he was said to step out of the chorus and impersonate a character.

  • True
  • False

45 Dithyrambs were the prizes awarded to the best actors at the Festival of Dionysus.

  • True
  • False

46 The stasis occurs both at the beginning and again at the ending of the play.

  • True
  • False

47 The primary function of Greek tragedy was religious observance and devotion.

  • True
  • False

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48 H2O is considered a connotative symbol.

  • True
  • False

49 Peter Shaffer was inspired to write Equus because of an experience he had with horses as a boy.

  • True
  • False

50 Oedipus is an example of an early point of attack.

  • True
  • False

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